A sampling of five classic UDP titles, specially wrapped in kraft paper letterpressed at our studio.
This anthology presents a group of writers and a literary phenomenon that has been unknown even to Russian readers for 70 years, obfuscated by historical amnesia. Gennady Gor, Pavel Zaltsman, Dmitry Maksimov, Sergey Rudakov, and Vladimir Sterligov, wrote these works in 1942, during the most severe winter of the Nazi Siege of Leningrad (1941-1944).
A Handbook of Disappointed Fate highlights a decade of Anne Boyer’s interrogative writing on poetry, death, love, lambs, and other impossible questions.
No Budu Please emerges in the voice of “an artificial boy in some sort of plastic prairie,” as he zeroes in on desire, spirit, and diversion. A diversion for all those forgotten and on the outskirts, impenetrable. Wingston González has carved out a distinctive way of creating beats with words, a spiritual questioning of godliness, and a space of immersion in a Garifuna history marked by the 1797 expulsion from St. Vincent and subsequent exile to the coast of Central America.
Written primarily over the course of four months in the fall of 2018, when Aisha Sasha John spent time in her native Vancouver, TO STAND AT THE PRECIPICE ALONE AND REPEAT WHAT IS WHISPERED sees the poet reckoning with narrative in the wake of returning to a place at once familiar and strange.
In the United States and Europe in the early twenty-first century, a person of mixed ethnicity finds herself questing inside old European art and ideas. Terrible as these things often are, she enjoys recalibrating them, and she is optimistic.